Killswitch Engage will release their latest album Atonement on August 16th through Metal Blade Records. Mike D, the band’s bassist, recently called in to the Talk Toomey Podcast and discussed the special guests, artwork and new label.

Click the player below for the entire conversation. Here is an excerpt:

Toomey: Well let’s dive into “Atonement” like I told you before we started recording, amazing album.
You guys, I don’t think you’ve had a bad album in the catalog, you might be able to argue that point. But
to me it’s a Killswitch Engage album, it has all the elements I want, plus some of the old elements I
wasn’t expecting, and even Chuck Billy man. So all in all, a great album man, great job.

Mike: Thank you so much. You know, we never have special guests on our records or if we do it’s pretty
rare. I think there’s probably been four at this point. Phil from All That Remains, Jesse even came in
and did some stuff when Howard was in the band. Now Jesse’s in the band, Howard came back and did
some stuff. The one song you were talking about with Chuck Billy, it just came to us just saying Chuck
Billy should be on this song. We weren’t trying to crowbar in our favorite or anything like that. It was just
an idea and it actually worked out, which sometimes those ideas fall away and don’t work out so well. So
stoked that he had time to do it and he sounds freaking incredible on it.

Toomey: It’s one of those things where it’s not a blatant special guest, it’s not just like, you don’t yell out
Chuck Billy or anything out right before it happens, it just happens. It doesn’t come out of left field, it
doesn’t sound wrong, everything just works out on this album.

Mike: It took awhile to create, a lot longer than we expected. We wrote 21, 22 songs. We just had to say
okay people, just stop writing. [Laughs] We were so excited, we were on a roll, and everyone was
bringing in demos and all the demos were really good. We had to cut it off and say okay this is gonna be
a chore when we gave it to Jesse, and sure enough [laughs] gave it to Jesse, he didn’t know where to
start, then he had some vocal surgery and then finally finished everything up. He did about 17 tracks,
something like that. This record as opposed to other records we were able to choose exactly what
should be on the record, and what should be beside her. I don’t know what we’re going to do with the
other songs yet. There was no this is good enough or this isn’t good enough, for all band members it was
a united stance of this, and that’s the first time that’s happened.
The bands that float to the top have a new element that they throw in the mix to kind of regenerate the
idea of the whole merging of a few different styles, and I think that’s how you stand out. You’ve gotta
throw something else in there, man.

Toomey: 100% right on that one, you guys definitely did it and did it well and continue doing it well. If
you like Killswitch Engage, you’re gonna love the album. You didn’t try to break the mold, you didn’t try
anything. If you’re a Killswitch fan you’ll love it, if you’re not you’re probably gonna enjoy it too because
it’s a great album.

Mike: Thanks so much I appreciate it. We wanted to go all out with this one, it’s a fresh start. We
finished our contract with Roadrunner Records, and wanted to start completely fresh, and we’ve loved
Metal Blade forever. Historic record label with some of the most incredibly nice, family oriented people
on the planet so we couldn’t have thought of a better place to be, and thank you to those guys for having
us. We wanted to do special things for them, so hopefully that’s what we did.

Toomey: On the Roadrunner Records front, you guys are probably in the less than 1% of bands that
completed that 7 or 8 album Roadrunner Records deal that tons of bands have signed, and I think you
might be one of the few that have actually fulfilled the entire thing.

Mike: I don’t know anyone who has [laughs]. We’ve been in the business 20 years. It’s an
accomplishment man, we did what we said we were going to do. When we signed our signatures on that
paper we actually pulled it all off. When we were signing they said, don’t worry it looks like a lot of
records you’ll make it to the end. We said okay, if that’s how much faith you guys have in us we’ll figure it
out. We made it, and it feels like a brand new thing. From the record cover to a lot of the tones, and just
the feeling of the record, it seems fresh. So that’s what we’re trying to get out there, Metal Blade, go
Metal Blade.

Toomey: I love that you asked to use the classic Metal Blade logo on the album.

Mike: That’s what I grew up looking at and seeing, and for me it just seemed like a momentous logo to
throw on there, like my childhood coming full circle. I always marveled at it saying oh man it would be so
cool to have that logo on my record, now we finally got a chance to do it. I got special permission from
Brian, the owner, to do that. I don’t think they’ve used it in like 10 years.

Toomey: That’s a big thing too, you’re a graphic designer, you understand branding. You understand
that if somebody wants to use the old logo, you’re like well, actually we’re trying to really focus on this
new one so can you use the new one. So that you even got the permission to ask is a pretty amazing
thing.

Mike: It never happens. That’s another thing, I was shocked that those guys were super down. They
were like yeah, sure, do what you need to do. Make this record look as cool as you want it to look. That
felt great, warms the heart right there.

Toomey: With the art direction side of Killswitch do you have your hand in everything or have there been
things that I don’t really feel like doing the Japanese promo single of this random song. Are you hands
on everything? Are there things you kind of farm out?

Mike: I try to be hands on everything. It gets real same-y if the same person is doing all the design work
so it’s cool to farm out some stuff, but I’m always the guy giving the ideas or the direction for any of the
stuff. Very little that I pass off. That makes Killswitch design like a full time job in itself. [laughs]

Toomey: If you gotta do all the tour merch, and the album artwork, and what’s the backdrop gonna look
like, we need this we need that, you get something in that isn’t right, there’s a lot going on there.

Mike: It’s a lot of fun, but I also feel that makes it a cohesive package that one person is doing everything
and overseeing the whole thing, so you don’t see some random thing and say oh this doesn’t even look
like the same record, or I don’t know why they used that dumb typeface. [laughs]

Listen to “Ep. 219 Mike D’Antonio (Killswitch Engage)” on Spreaker.

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Bobby Gustafson (Satan’s Taint): “I Challenged [Zoltan Bathory] On Twitter”

by Steve Savage

Joining Talk Toomey Live on Uncontrolled Noize for a bonus interview this week is veteran metal guitarist, Bobby Gustafson. In addition to being well-known for his time with the iconic thrash legends, Overkill, he has played with Cycle Sluts From Hell, Skrew, Grip Inc., and currently, Satan’s Taint – which Gustafson founded in 2014. During the interview, Gustafson discusses how he came up with the attention-grabbing band name, Satan’s Taint, that he says is “definitely getting some miles on the internet,” and how he challenged Zoltan Bathory (Five Finger Death Punch) for worst band name. “I knew I needed something that people weren’t gonna forget… It’s just kind of an inside joke of something that happened at work with me and my buddies.” He continues, “It’s one of those things where you hear something and it’s like, oh, that would be a great band’s name.”

Listen to “BOTT: Bobby Gustafson (Satan’s Taint)” on Spreaker.

Gustafson, who had once been offered by Dave Mustaine to join Megadeth, explains why he declined the offer and what he thinks of the decision today. Cycle Sluts From Hell saw popularity with their music video, “I Wish You Were a Beer,” which received regular airplay on MTV and was even featured on Beavis and Butthead. Gustafson shares what it was like to record and play with the female-fronted metal band in the early nineties.

To hear these stories plus much more, check out the full interview with Talk Toomey Live on Uncontrolled Noize.

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Ep. 213 Thom Hazaert (Ellefson)

Thom Hazaert joins the show this week to discuss the upcoming David Ellefson book and album. Thom talks about his background singing in bands and recording this project. We discuss the recent Megadeth and Dave Mustaine news. Thom also talks about the EMP Label Group and what he looks for in bands to sign.

On the Mustaine news and how it impacted the Ellefson camp:

THOM HAZAERT “Honestly, it’s something that has been going on for weeks, we couldn’t say anything and nobody knew anything and nobody knew what was gonna happen… The decision to cancel everything was literally just made a couple fucking days ago… At first it was like, we’re gonna do everything and It’ll be fine. Then they started his treatments and they just realized they weren’t gonna be able to do it… So it’s been an ongoing thing. I mean, it feels like a big sudden thing but it’s really been kind of a casual thing going on over here with them trying to figure out what they were going to do… I was trying to figure out what we’re going to do around what they’re going to do and obviously everything we do works around Megadeth so we were just kind of sitting back going ‘fuck what’s gonna happen.'”

TALK TOOMEY: “Well, Megadeth has had a very odd year because of the Ozzy cancellations and scrambling to fill in those dates. And then now you’ve got Dave’s diagnosis and trying to fill that time and it’s been a mess for 2019 for Megadeth.”

THOM HAZAERT “That’s the last thing they wanted after the Ozzy cancellation and everything else was have to cancel anything. That’s why Mustaine was so adamant about ‘No, I’m just gonna do my treatment. We’re going to keep the shows scheduled’… but literally needed his treatments the same time they’re supposed to be doing shows. I think that’s the last thing he wanted, because of that Ozzy thing that compounded it because that had nothing to do with them. They were ready to go out and do that…The last thing Mustaine ever wants to do is disappoint fans… the last thing anybody in Megadeth wants to do is disappoint the fans… I think this was a really, really fucking hard decision to make. And that’s why they took so long after getting the diagnosis to figure out what they’re going to do and I think he really wanted to see if there’s any way to not cancel shit. He was gonna not cancel it. Obviously, I am in David’s camp, and in no way a spokesperson for Megadeth, nor do I claim to be. But obviously this has a huge impact on everything we do as well. And we’re both praying for the best for Dave Mustaine and Megadeth.”

Listen to “Ep. 213 Thom Hazaert (Ellefson)” on Spreaker.

Make sure to check out David Ellefson and Thom Hazaert on the upcoming Basstory tour.

BASSTORY MORE LIFE WITH DETH 2019 TOUR DATES:
Satuday 7/6 – Providence, RI – Fete Music Hall
Sunday 7/7 – Long Branch, NJ – Brighton Bar
Monday 7/8 – N. Branford, CT – Strangeland (Book Signing)
Wednesday 7/10 – New Bedford, MA – Vault Music Hall
Thursday 7/11 – Waterbury, CT – Shamrock Pub and Grill
Friday 7/12 – Halethorpe, MD – Fish Head Cantina
Sunday 7/14 – Long Island, NY – Revolution
Weds 7/17 – Lakewood, OH – The Winchester
Thursday 7/18 – Pekin, IL – Twisted Spoke Saloon
Friday 7/19 – Lombard, IL – Brauerhouse
Sunday 7/21 – Green Bay, WI – SV2
Monday 7/22 – Rockford, IL – Whiskey’s Roadhouse
Wednesday 7/24 – Tama, IA – Tama Ballroom
Saturday 7/27 – Indianapolis, IN – Citadel Music Hall
Monday 7/29 – Minneapolis, MN – Turf Club
Tuesday 7/30 – Mankato, MN – What’s Up Lounge
Saturday 9/7 – Phoenix, AZ – Joe’s Grotto (w/Fatal Malady)

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The legend himself, Riki Rachtman joins the podcast this week. Riki and I discuss his new show The Cathouse Hollywood Podcast. We also take a trip down memory lane and discuss Headbangers Ball. Riki talks about his time hanging with Pantera, NASCAR and the new found community he has found in podcasting.

Robb Rivera of Nonpoint gives us his weekly Pick From The Kit

Listen to “Ep. 207 Riki Rachtman” on Spreaker.

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